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A Historic Craftsman House Frequented by Artists Is Now a Cool Gallery

A Historic Craftsman House Frequented by Artists Is Now a Cool Gallery


The historic Pasadena Craftsman home of the longtime ceramist Stanley Edmonson came into the spotlight this month when it was announced that it would transform into a gallery to house monthly artistic residences. A communal gathering spot for artists since the late 1950s, Stanley’s—as the art space is now known—continues the 100-year-old Craftsman tradition of housing and supporting artists through the new program. The ongoing effort will be accompanied by intimate exhibitions that integrate artwork into the light-filled expanse of the historic structure.

“When Stan’s mom passed away, the family decided to do an estate sale,” gallery curator Sebastian Gladstone explains to AD PRO of how the project came about. “His mom owned a lot of his work, and so we kind of set up the house to be a gallery: Stan’s dad was an artist, and Stan is an artist, and most of what he has [in the house] was art.… There’s not a lot of furniture there.”

Another room, another view. 

Photo: Courtesy of Stanley’s

The family had an estate sale in September to sell her possessions. According to Gladstone, hundreds of people showed up, partly because Edmondson has had a wonderful relationship with many artists including Ruby Neri and Kenny Scharf. “Though people had never heard of Stanley Edmonson, they wanted to invest in his pieces, and the family worked a deal with me to operate a gallery out of his home,” Gladstone adds.

The house, located in a historic district in Pasadena, is near the famed Gamble House and Frank Lloyd Wright’s La Miniatura. Edmondson has always used the house as a community space for artists who would simply show up and use the space. “Stan’s sister is a classically trained cellist, and they would have trios perform concerts in their home as well,” says Gladstone.

The inaugural show, assembled in a month and a half, features the work of designer Darren Romanelli, ceramist Candice Romanelli, and painter Isabella Cuglievan. The interlocking exhibits are shown in two rooms: the living and the dining areas of the house. Unfortunately, due to the rising number of COVID-19 cases in the Los Angeles area, it will now operate virtually.

Darren Romanelli’s bright lounge Craftsman chairs, made with vintage quilts, denim, potato sacks, and pillowcases, are difficult to miss. Candice Romanelli’s high-fired stoneware glazed pots, with their asymmetrical shapes and floral design, are beautiful and organic. And Cuglievan’s psychedelic artworks on cold-pressed watercolor paper and cotton fabric arrest viewers with their Kandinsky-like colors and kaleidoscopic shapes.

Viewers can take a “walk-through” of the current exhibit using FaceTime appointments; you’ll need to send an email to the gallery. After the show comes to a close, the next roster will include the light sculptures of Bennet Schlesinger, a series of recycled newspaper clocks by Sarah French, and pieces by George Sherman—a 75-year-old ceramist whose work has never been publicly shown. A contemporary of Peter Voulkos and John Mason, Sherman makes ceramic vessels and wall pieces.

“The main purpose of the gallery is to have a sense of community that is so lacking in the digital world we have right now,” says Gladstone. “Hopefully, this will translate into something beyond a gallery. We sold out more than two thirds of the show before we even opened.”

A bamboo-wallpapered space, seen here in its non-exhibition state. 

Photo: Yoshihiro Makino / Courtesy of Stanley’s

Out back, ceramic sculptures dominate. 

Photo: Yoshihiro Makino / Courtesy of Stanley’s



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